Cine en la Era Digital
ABSTRACT: This paper illustrates a shift in the fundamentals of cinema which is being augmented in social and technical terms. The primary changes deal whit the perception of spectator-actor and with the new digiral technologies being utilized. This paper will be structured around the four "tyranny" that, as Peter Greenaway has suggested, are destroying film: The need of the camera, the current frame (screen), the text as the axis of the narrative and the importance of the actors. An augmented understanding of cinema offers a new aesthetic in terms of space, interaction and ultimately an open and generative cinematic experience.